Buran has been reviewed on french journal Jazz Magazine by Vincent Cotro and garnered a rave notice:
After Clearway (2017) and Live In Brussels (2018) in trio, here is for Amaury Faye, as for so many pianists, the moment of the acting solo, on a repertoire almost entirely original. In doing so, he works to free himself from the influence of Brad Mehldau, to cultivate his taste for a dense, intense (Buran) piano, physical and technical (Follow the Fox), sometimes drenched in lyricism (The Persuaders ) and sitting on impeccable traditional bases (The Temptation Rag). A decisive step towards the affirmation of a personal universe, and an album with a very careful realization.
Vincent Cotro
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